In Jay Nelson’s prodigious body of built work there is always the dare for the viewer to see from a new perspective. To inhabit what he calls new ‘structures for seeing’. A Honda Civic, as a perspective. A tree, as a perspective. A backyard. The dare in Making Lands is to inhabit Nelson’s quiet nights after putting his children to sleep. And to take up that part calm, part strung out, part meditative – and all monochromatic blue – perspective.
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