"...other works in the series are even more delirious, capturing the retro-psychedelia of early 1990s photographic practices. In so doing, they also prompt the question whether the time is now right to reinvent those approaches with digital tools. I would answer with a qualified yes, because the sheer ubiquity of digital photography has turned everybody into a “photographer” in much the same way that paint-by-numbers kits once could turn anybody into a “painter”, writes Mark Van Proyen.